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Design Concept:
In traditional Chinese culture, the spring orchid symbolizes nobility, elegance, and a conflict-free society; it is the ethical ideal of traditional Chinese culture that Confucius often referred to. The orchid is the gentleman of flowers. The raised flowers in the design represent the first sign of a flourishing spring. A gust of spring wind, a fragrant harbinger, joyful news, and the wide open and explicit conviction of the orchid.
The joined flower and leaf in the design come together to form a seamless circle. Although the technical difficulties are great, it ensures the fluidity of the final presentation and a harmonious union, capturing the moment of a perfect spring breeze.
The Orchid, in Chinese culture, is the artistic paradigm of the spring season. The flower ushers in spring with a gentle fragrance, welcoming it with both grace and virtue. This crystal sculpture encompasses both abstract and naturalistic elements to invoke the living orchid. While it has a polished base, resembling a stalk, the glass flower itself uses powdered crystal for a vibrant contrast. The two pieces are crafted separately, fired in the kiln at different temperatures, before being expertly joined together in the same kiln. Conceived with such masterful technique, the resulting glass art captures the orchid’s noble elegance, coming to life in a spring dance to paint the season in vivid color.
A crystal glass flower sculpture of the Orchid flower represents or symbolizes spring awakening, nobility, and elegance.
一朵中国琉璃花;艺术家杨惠姗心灵深处的梦颜色是什么？她努力的用花朵去呈现她的每一段时间的生命状态，她希望那是在民族感下的独一无二的花的绽放，是诗意的，是呈现生命状态的诠释。花的颜色逼近真实，而经过放大，在“真实”与“不真实”的矛盾里又产生出奇怪的真实，依附在一种脆弱的琉璃材质去呈现，是生命中的谦卑和悲悯。春兰象征高洁、清雅，与世无争，最能寄托中国传统文化中对“德者”的理想，被誉为花中君子，作品中，花的高高在上，象征“首春则发”的特质，春风吹过，香达于外，闻之则喜，展现空谷幽兰不群不争，淡泊明志的信念。此系列作品采用工房精典的粉烧定色工艺，精准的还原兰花原本的颜色.它轻盈的身姿犹如一个个跳舞的精灵，在风中摇曳。努力绽放的姿态，表现积极向上努力拼搏的精神。此件作品艺术家系列被中国美术馆列入永久性馆藏作品。
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